Blackmagic PYXIS 6K PL & Irix 21mm + =

Description

Blackmagic PYXIS 6K PL & Irix 21mm + 45mm + Nanuk Case Blackmagic Design PYXIS 6K (PL Mount) Blackmagic Design s PYXIS 6K is an advanced digital film camera with an incredibly versatile design that lets you build the perfect camera rig for your production. This new model features a 6048 x 4032 full frame HDR sensor with built in optical low pass filter, dual native ISO, dual CFexpress media slots, all in a customizable body with flexible mounting options and side plates. The PYXIS 6K is available in three different models with fixed L-Mount, PL or locking EF lens mounts! Camera Features Effective Sensor Size 36mm x 24mm (Full Frame) Lens Mount PL Mount Lens Control Iris and focus on supported lenses. Dynamic Range 13 Stops. Dual Native ISO 400 and 3200 Shooting Resolutions 6048 x 4032 (Open Gate 3:2) up to 36 fps 4832 x 4032 (Anamorphic 6:5) up to 36 fps 6048 x 3200 (6K DCI 17:9) up to 48 fps 6048 x 2520 (6K 2.4:1) up to 60 fps 4096 x 3072 (Super 35 4:3) up to 50 fps 4096 x 2160 (4K DCI 17:9) up to 60 fps 2112 x 1184 (Super 16 16:9) up to 100 fps 1920 x 1080 (1080 HD 16:9) up to 120 fps Frame Rates Maximum sensor frame rate dependent on resolution and codec selected. Project frame rates of 23.98, 24, 25, 29.97, 30, 50, 59.94 and 60 fps supported. Off-speed frame rates up to 60 fps in 6K 2.4:1 and 4K DCI 17:9, 100 fps in Super 16 16:9 and 120 fps in 1080HD. Focus Auto focus available using compatible lenses. Iris Control Iris wheel and touchscreen slider for manual iris adjustment on electronically controllable lenses, iris button for instant auto iris settings on compatible lenses. Screen Dimensions 4 1920 x 1080. Screen Brightness 1500 nits Screen Type LCD capacitive touchscreen. Metadata Support Automatically populated lens data from electronic PL-Mount lenses. Automatic recording of camera settings, motion sensor data plus slate data such as project, scene number, take and special notes. A 3D LUT can also be embedded in metadata of Blackmagic RAW files. Controls Touchscreen menus on 4 inch screen. 1 x Power Switch, 1 x Record Button, 1 x Stills Button, 1 x Scroll Wheel with push, 1 x ISO Button, 1 x White Balance, 1 x Shutter Button, 3 x software configurable Fn buttons, 1 x Focus Button, 1 x IRIS Button, 1 x High Frame Rate (HFR) Button, 1 x Zoom Button, 1 x Menu Button, 1 x Playback Button, 1 x Next Clip Button, 1 x Previous Clip Button, 1 x Lock Switch. Timecode Clock Highly accurate timecode clock. Less than 1 frame drift every 8 hours. Connections Total Video Inputs None Total Video Outputs 1 x 12G-SDI up to 2160p60 1 x Viewfinder USB-C with power, data, video and locking connector. Analog Audio Inputs 1 x mini XLR analog audio in, switchable between mic with phantom power support and line level (up to +14dBu). 1 x 3.5mm Stereo Input. Analog Audio Outputs 1 x 3.5mm headphone jack. Reference Inputs Tri-Sync/Black Burst and Timecode. Computer Interface USB Type-C for external drive recording, PTP camera control and software updates. Ethernet 1 x 1Gb/s RJ 45 connector supporting 10/100/1000 BASE-T. Audio Microphone Integrated stereo microphone. Built in Speaker 1 x mono speaker. Media Media 2 x CFexpress Type B card slot, 1 x USB-C 3.1 Gen 1 expansion port for external media for Blackmagic RAW and H.264 Proxy Recording. Please click here for a summary of compatible media. Media Format Can format media to ExFAT (Windows/Mac) or HFS+ (Mac) file systems. Supported Codecs Codecs Blackmagic RAW Constant Bitrate 3:1, Blackmagic RAW Constant Bitrate 5:1, Blackmagic RAW Constant Bitrate 8:1, Blackmagic RAW Constant Bitrate 12:1, Blackmagic RAW Constant Quality Q0, Blackmagic RAW Constant Quality Q1, Blackmagic RAW Constant Quality Q3, Blackmagic RAW Constant Quality Q5, H.264 Proxy in 1920 x 1080, 8-bit 4:2:0 Control External Control Blackmagic Zoom Demand and Blackmagic Focus Demand for controlling your camera and lens from tripod handles. iPad control, Bluetooth control, USB PTP camera control. External control of some camera settings, focus, iris and zoom with compatible lenses. Camera Control REST API over Ethernet for external control via HTTP when used with REST client applications such as Postman. Storage Features Storage Type 1 x CFexpress Type B 1 x high speed USB-C expansion port for external media. Recording Formats Blackmagic RAW 3:1, 5:1, 8:1, 12:1, Q0, Q1, Q3 and Q5 at 6048 x 4032, 4832 x 4032, 6048 x 3200, 6048 x 2520, 4096 x 3072, 4096 x 2160, 2112 x 1184 and 1920 x 1080 with film, extended video, video dynamic range or custom 3D LUT embedded in metadata. Supports recording optional portrait mode metadata for all resolutions in Blackmagic RAW and H.264 Proxies. Storage Rates Storage rates based on 30 frames per second. 6048 x 4032 (6K Open Gate 3:2) Blackmagic RAW 3:1 - 370 MB/s Blackmagic RAW 5:1 - 223 MB/s Blackmagic RAW 8:1 - 140 MB/s Blackmagic RAW 12:1 - 94 MB/s Blackmagic RAW Q0 - 278 to 555 MB/s Blackmagic RAW Q1 - 186 to 444 MB/s Blackmagic RAW Q3 - 124 to 318 MB/s Blackmagic RAW Q5 - 75 to 186 MB/s 4832 x 4032 (Anamorphic 6:5) Blackmagic RAW 3:1 - 297 MB/s Blackmagic RAW 5:1 - 179 MB/s Blackmagic RAW 8:1 - 112 MB/s Blackmagic RAW 12:1 - 75 MB/s Blackmagic RAW Q0 - 223 to 445 MB/s Blackmagic RAW Q1 - 149 to 356 MB/s Blackmagic RAW Q3 - 100 to 255 MB/s Blackmagic RAW Q5 - 60 to 149 MB/s 6048 x 3200 (6K DCI 17:9) Blackmagic RAW 3:1 - 295 MB/s Blackmagic RAW 5:1 - 177 MB/s Blackmagic RAW 8:1 - 111 MB/s Blackmagic RAW 12:1 - 75 MB/s Blackmagic RAW Q0 - 221 to 441 MB/s Blackmagic RAW Q1 - 148 to 353 MB/s Blackmagic RAW Q3 - 99 to 253 MB/s Blackmagic RAW Q5 - 60 to 148 MB/s 6048 x 2520 (6K 2.4:1) Blackmagic RAW 3:1 - 233 MB/s Blackmagic RAW 5:1 - 140 MB/s Blackmagic RAW 8:1 - 88 MB/s Blackmagic RAW 12:1 - 59 MB/s Blackmagic RAW Q0 - 175 to 348 MB/s Blackmagic RAW Q1 - 117 to 279 MB/s Blackmagic RAW Q3 - 78 to 199 MB/s Blackmagic RAW Q5 - 47 to 117 MB/s 4096 x 3072 (Super 35 4:3) Blackmagic RAW 3:1 - 192 MB/s Blackmagic RAW 5:1 - 116 MB/s Blackmagic RAW 8:1 - 73 MB/s Blackmagic RAW 12:1 - 49 MB/s Blackmagic RAW Q0 - 145 to 288 MB/s Blackmagic RAW Q1 - 97 to 231 MB/s Blackmagic RAW Q3 - 65 to 165 MB/s Blackmagic RAW Q5 - 39 to 97 MB/s 4096 x 2160 (4K DCI 17:9) Blackmagic RAW 3:1 - 136 MB/s Blackmagic RAW 5:1 - 82 MB/s Blackmagic RAW 8:1 - 52 MB/s Blackmagic RAW 12:1 - 35 MB/s Blackmagic RAW Q0 - 102 to 203 MB/s Blackmagic RAW Q1 - 69 to 163 MB/s Blackmagic RAW Q3 - 46 to 117 MB/s Blackmagic RAW Q5 - 28 to 69 MB/s 2112 x 1184 (Super 16 16:9) Blackmagic RAW 3:1 - 40 MB/s Blackmagic RAW 5:1 - 24 MB/s Blackmagic RAW 8:1 - 16 MB/s Blackmagic RAW 12:1 - 11 MB/s Blackmagic RAW Q0 - 30 to 59 MB/s Blackmagic RAW Q1 - 21 to 48 MB/s Blackmagic RAW Q3 - 14 to 34 MB/s Blackmagic RAW Q5 - 9 to 21 MB/s 1920 x 1080 Blackmagic RAW 3:1 - 33 MB/s Blackmagic RAW 5:1 - 20 MB/s Blackmagic RAW 8:1 - 13 MB/s Blackmagic RAW 12:1 - 9 MB/s Blackmagic RAW Q0 - 25 to 49 MB/s Blackmagic RAW Q1 - 17 to 40 MB/s Blackmagic RAW Q3 - 12 to 29 MB/s Blackmagic RAW Q5 - 8 to 17 MB/s Constant Quality storage rates quoted are indicative only. Actual storage rates are entirely dependent on image subject matter. Software Software Included Blackmagic OS DaVinci Resolve Studio for Mac and Windows including activation key Blackmagic Camera Setup Blackmagic RAW Player Blackmagic RAW QuickLook Plugin Blackmagic RAW SDK Blackmagic RAW Speed Test Operating Systems Mac 13.0 Ventura, Mac 14.0 Sonoma or later. Windows 10 and 11. Power Requirements Power Supply 1 x External 12V power supply. External Power Input 1 x 2 pin locking connector. Battery Type BP-U Power 11-19.5V Accessories Optional Accessories Blackmagic URSA Cine Handle Blackmagic URSA Cine EVF Blackmagic PYXIS Rosette Plate Physical Specifications Environmental Specifications Operating Temperature 0 to 40 C (32 to 104 F) Storage Temperature -20 to 45 C (-4 to 113 F) Relative Humidity 0% to 90% non-condensing What's Included Blackmagic PYXIS 6K Lens turret dust cap PYXIS Standard Plate PYXIS SSD Plate 60W power supply with locking connector and international adapters Welcome booklet DaVinci Resolve Studio activation key Warranty Product Warranty 12 Month Limited Manufacturer s Warranty. Irix Cine Lens 21mm T1.5 PL Imperial Scale (Feet) Native Arri PL mount, compatible with all PL mounts, including Arri Alexa cameras Ultra HD 8K Ready Optics with Superb Image Resolution Full Frame 43.3mm coverage Fully Weather-Sealed, Ready for any Weather Conditions Engraved Markings with UV-Reactive Paint for Low-Light Situations 11 Rounded Aperture Blades for Extraordinary Image Quality Focus Breathing close to Zero Low Distortion Standard 0.8 Pitch Mod Gears Internal Focusing The Irix Cine 21mm T1.5 with Arri PL mount is a Full Frame Cine Lens, excellent for when you need a wide and fast lens. Lights, camera, Irix lenses! Capture the essence of cinema with the "Irix look". You don't want your shots to be just another scene - you want them to stand out. That's why Irix lenses are designed to provide substance with a special "Irix look" that will give your movie the captivating quality it deserves. Picture this: round-shaped blades and a shallow depth of field to cut your subject out from the background. The unique bokeh draws the contours of your subject to make them pop. Plus, the soft highlights and subtle mist will smooth out those pesky light streaks that show up on other lenses. With stunning footage in every frame, your audience won't be able to look away. Get ready to take your filmmaking to the next level with Irix lenses. Ready to unleash your creativity? Look no further than the 21mm T1.5 lens the perfect balance of wide angle and distortion-free shots. Say goodbye to awkwardly proportioned subjects; with this lens, what you see is what you get. Ideal for capturing tight spaces and people, it's a must-have addition to your kit. Plus, all of our Irix cine lenses meet the same high standards of quality and consistency. You can expect comparable weights, 86mm front threads on most lenses, and consistent focus/iris gear placement. And don't forget about our Magnetic Mount System the easiest way to attach Irix Edge MMS filters to the 15mm, 30mm, 45mm, and 150mm lenses. Trust us, once you experience the freedom and ease of Irix, you'll never go back. Whether you're capturing a lively wedding or an intense action scene, the key to a stunning image is in getting up close and personal. Just look at the movie "Revenant" - DOP Emmanuel Lubezki used lenses with focal lengths as small as 21mm to create dynamic shots that immerse the viewer in the action. But we've taken it to the next level. Our lens has a fast T1.5 aperture, providing crystal-clear shots in any lighting without having to sacrifice ISO. Plus, the bokeh effect will give your shots an eye-catching edge. And don't worry about the weather - our lenses are sealed and ready to take on anything Mother Nature throws your way. Get ready to level up your photography game. The 21mm is the widest lens in this set! With a wide-open T1.5 aperture, this lens is ready to deliver consistently sharp shots alongside its awesome 30mm and 45mm companions. And here's the best part: with such a wide lens, the bokeh effect achieved is simply breathtaking. Plus, effortlessly match color, contrast, and brightness on the go - making your shooting experience a complete breeze! Say hello to Irix lenses - your all-weather filmmaking companion! With tough resistance against Mother Nature's wrath - be it blazing heat or frigid snow - these lenses will deliver crystal-clear shots, no matter what. With rain, sand, snow, and dust resistance, you can rest assured that your lens can handle it all. Plus, special UV-reactive markings make filming in tricky lighting a breeze. Whether you're braving the jungle or the desert, Irix lenses have got your back. So go ahead, make the film of your dreams, no matter the weather! Capture every stunning detail with Irix Cine lenses. Created for Full Frame, these lenses are perfect for any cinema sensor you have, from Super 35 to MFT to APS-C. No need to worry about coverage - Irix Cine lenses have got you covered. Irix Cine Lens 45mm T1.5 PL Imperial Scale (Feet) Native Arri PL mount, compatible with all PL mounts, including Arri Alexa cameras Ultra HD 8K Ready Optics with Superb Image Resolution Full Frame 43.3mm coverage Fully Weather-Sealed, Ready for any Weather Conditions Engraved Markings with UV-Reactive Paint for Low-Light Situations 9 Rounded Aperture Blades for Extraordinary Image Quality Focus Breathing close to Zero 86mm Filter Thread and 95m Front Diameter Low Distortion Internal Focusing The Irix Cine 45mm T1.5 for Arri PL is equipped with everything both beginners and professional cinematographers need to create their masterpieces. The lens combines functionality, stunning visuals and outstanding performances. The Irix Cine 45mm T1.5 is a 43,3mm Full Frame lens, covering Full Frame 35, Super 35, Red Dragon 6K, Arri Alexa, APS-C, MFT, Super 16, Sony Venice and other sensors. It s so versatile it ll fit YOUR favorite equipment allowing you to enjoy every second of shooting with the tools you already love. Put our Irix Cine 45mm T1.5 to work and enjoy the comfort and functionality it offers. Rain or shine. The rugged and durable construction of the Irix Cine 45mm guarantees that you can keep working with whatever the weather throws at you. The lens is resistant to rain, sand, and dust thanks to the internal seals on strategic places. Take it with you on your next adventure in the desert or the jungle, if your camera can handle those environments. Engraved markings on the lens have been filled with UV Light-reactive paint, which makes filming in difficult lighting conditions much easier. All you'll need is a small UV Blacklight instead of a bright flashlight. Our own Magnetic Mount System (MMS) for rapid filter and hood placements are just one example of the multifunctional design of our lenses. We also invented the adaptive ring on our lenses to be able to maintain their sleek design and still allow you to use wider follow focus systems All Irix Cine lenses (except the 11mm and 21mm) have a Magnetic Mount System (MMS) that is compatible with our Irix Edge MMS filters and Irix MMS Lens Hoods. The Irix Edge magnetic filters have a unique thread-less and stackable design. All of the Irix Edge MMS filters are made of hardened optical glass (SR) making them extremely robust. The filters' surfaces are covered with the multi-layer, anti-reflective coating with a special type nano-coating that makes it easy to clean. Available types of Irix Edge MMS filters: UV, CPL, ND4, ND8, ND16, ND32 and ND64. We know how important a smooth workflow is. That is why all Irix cine lenses have similar dimensions and weight and their gears are all lined up at the same heights, allowing for quick and easy lens changes when working on set. Craft a one-of-a-kind cinematic look that won t be easily forgotten! Tahnks to the 11 optical elements in 9 groups (including 4 HR lenses, 1 ED lenses, and 1 ASP), your shots will come out with very little aberration. The internal focusing system of the lens guarantees incredible sharpness. The 9 blade iris provides a beautiful bokeh and a very smooth adjustment between T1.5 and T22. With very low focus breathing and a field of view close to the human eye's field of view, the Irix 45mm Cine is a perfect lens for filming natural-looking scenes. The Irix cine 45mm T1.5 meets requirements of all filmmakers. Whether you like to build professional setups or shoot with a bare lens on stabilizer, this lens is for you. The aluminium and magnesium alloy construction and housing weight only 1,1kg. The front external diameter is 95mm for matte boxes and accessories, the front filter thread is 86mm. Capture every stunning detail with Irix Cine lenses. Created for Full Frame, these lenses are perfect for any cinema sensor you have, from Super 35 to MFT to APS-C. No need to worry about coverage - Irix Cine lenses have got you covered. Irix Cine Lens Case by Nanuk Key Features Fits up to 5 IRIX Cine Prime Lenses Custom Foam Interior, Filter Slot Lightweight NK-7 Resin Shell Waterproof, Dust-Proof & Mil Spec PowerClaw Latching System Ergonomic Handle with Soft Grip Exterior Dimensions: 16.9 x 12.9 x 9.3" Interior Dimensions: 14.9 x 9.8 x 8.6" Lightweight and waterproof, the Nanuk Cine Lens Case has a custom foam interior that holds up to five IRIX Cine prime lenses. Constructed with a lightweight, tough NK-7 resin shell, this case has a dedicated filter slot, an ergonomic handle with a soft grip, and a superior PowerClaw latching system. Cine Lens Case The custom foam interior holds up to five IRIX Cine lenses Durable Waterproof Design This durable resin case is waterproof (IPX7), dustproof (IP6X), and MIL-SPEC certified PowerClaw Latches PowerClaw latches use compressive force to clamp tight with built-in slide locks, offering additional security to prevent the case from opening during transport or if dropped Filter Slot A dedicated slot lets you store filters along with your lenses Ergonomic Handle An ergonomic handle with a soft grip provides a comfortable way to carry the case